Etymologi

Basic information

Composer Strindberg, Henrik
Duration 17 min.
Year of composition 1990
First performance (year)
First performance (venue)
First performance (performers)
Submitter KammarensembleN
Publisher
Type
Thematic tags
Conductor Obligatory
Soloist(s) ,

Instruments

Musicians 1st player 2nd player
Violin2
Viola1
Cello1
Double-bass14-string
Flute 1
C
Oboe 1
Oboe
Clarinet 1
B-flat
Bassoon 1
Bassoon
Saxophone 1
Soprano
Horn (F) 1
Trumpet 1
C
Trombone 1
Tenor
Musicians Instruments
Percussion 2
Other
Harp 1 -
Keyboard 1
Piano
Other instruments and playing techniques
Equipment
Sound electronics
Visuals

Notes

Programme notes

Etymology by Henrik Strindberg is a seven-movement work written with both inspiration and support from the computer world. Strindberg himself developed wo algorithms to assist in the composition of Etymology. The work's movement itles - Switch, While, Shift, Pointers, Seed, Define NIL, Strings - are drawn from "C" jargon, a programming language useful in the creation of computer music; the composer toys with common words which have now taken on new meanings through the development of the computer: a sign of the development in the history of words - Etymology - and of usage in general. Remnants of Strindberg's rock band youth are evident in the harmonic direction, simplicity of texture, and perhaps even in the length of each movement. While is particularly dramatic in its manner of requiring humans to do what machines do best: create a pulsating effect by quickly repeating over and over a single one in a gradually modulating harmony. Etymology was commissioned by the Swedish National Radio for KammarensembleN and premiered on 5 October 1990 in a live broadcast. Text: Katherine Powers. From Phono Suecia nr 57 (1992)

Technical specs
Additional notes